Lots of guitarists don’t realise just how powerful software-only chorus plugins can be. When used correctly, a subtle delay can add depth, warmth, and character to any sound. Even if you hate delay, there are plenty of incredible chorus plug-ins out there. But if you want ultimate in-your-face sound, woah! “People don’t realise that chorus is part of a sound designer’s toolbox. Stack the pieces correctly, and it’ll give your music an extra dimension, making it sound like it was recorded live.” — Andy Sneeman, Nano Enthusiasts Once you get the hang of mastering your tone with pedals and mastering techniques, you may want to experiment with some “microtonal” pedals. Don’t get me wrong — there’s nothing wrong with high-level guitar and bass tones that owe their definition to mid-century metal or 1960s rock. If you want to belt out a few Keys to the City in glorious stereo, go nuts! But what if you want a more strong-sounding lead sound from a loop? With a touch of EQ and mastering techniques, you might try Surround Sound Microtonal Synthesizer plug-ins. Microtonal Synthesizer is a rare example of a pure plug-in that renders sophisticated guitar tones with a subtle midrange boost. The EQ knob has just enough warmth to tilt the sound away from razor-sharp vulnerability. And mastering techniques give the fizzy, fartsy sound an extra sheen. Which means, stick with clean, punchy, rock-solid tones that you can confidently export in stereo.

Learning to use pedals correctly can develop the skill of “tuning your finger” to precisely where it should be every time, rather than having to look it up online. Paragraph Topic: Although there are so many different effects to think about when it comes to guitar tones, a few common tones come to mind. Most modern guitarists would probably classify them as “funky” or “hot.” But there are other tones that just scream “rock!” Forgotten mini-stoner tones are some of the most powerful tones you can play on your guitar to make your music more exciting and dynamic. In short — there’s a tone for just about anything. If you have a strong ear and some time, you can pick up and play these tones with ease — rather than digging around online trying to find the perfect tone combinations. Having solid guitar-playing technique (known as “strumming”) in addition to the ability to tune correctly is just as important. Learning how to use a variety of pedals to influence the different intervals in a chord, as well as the intervals themselves, is an important skill that builds on itself as hours of practice accumulate. A good way to practice strumming is to grab a guitar and tune it down.

Taking a look at the general categories, you’ll find that most follow this formula: Frequency is based on the sustained sound; Volume is based on note intensity; Noise level is highest when using the most sensitive setting, but decreases as we lower the gain. We also see that there is a mix of oscillator (PW), triangle and noise waveforms. Much like guitar effects, there are tunings that have been used to create melodic phrases over songs; different tunings are used for strumming, strumming and picking. Braids (1, 2, 3, 4, 5th) article on Keyboard World Frequency — frequency refers to the pitch or speed of the note — 440Hz on a guitar is a 440Hz note (purchased from a tuner) Volume — from most sensitive (middle of the bridge) to most insurable (basses, treble). You want to play with as much volume as the strings may allow Noise Level — The higher you bring it, the more harsh and ‘loud’ it gets. My general rule is that anything below the lowest E string goes into the no-no tone bucket, and anything above it goes into the overdrive pain bucket.

Find Out More Here: https://www.bestguitarequipment.com/reviews/best-chorus-pedals-on-the-market/